Nov. 5-Nov. 11: Beauty and The Beast

Lindsey Stirling is a violinist who creates music videos of her personal arrangements with choreographed performance on her YouTube channel.  Enjoy her medley of Beauty and the Beast, "a day in the life of Belle on tour"!

Questions

  • If you had the ability to create any music video, what would it be?  What would happen in the music video and what music would you use?

Oct. 29-Nov. 4: Halloween

To celebrate Halloween, we will listen to a spooky piece this week!  This is one of the most famous organ works - you may have heard the melody before!

Questions

  • Have you ever heard this piece before?  If so, can you remember where?
  • Name a few similarities and differences between the organ and the piano.

Oct. 15-Oct. 21: In The Mood

This week, we'll explore a new genre: jazz! Jazz music emerged right before the 1900s in New Orleans, USA. You'll notice it has a different feeling and style to it in comparison with classical music. Listen below to the swing dance hit "In the Mood" made famous by the Glenn Miller Orchestra.

Glenn Miller, In The Mood

Questions:

1) Jazz instruments differ somewhat from Classical instruments. What instruments do you see being played in this tune? Name at least 3. If you need help, try this site: http://www.jazzinamerica.org/LessonPlan/5/3/228

2) What kind of moods come to mind when you listen to this tune? 

3) Which dynamics do you hear throughout? (Remember, dynamics=volume)


This listening activity was provided by Alyssa Ung

Oct. 8-Oct. 14: How Many Hands?

Continuing off the duet theme last week, did you know there can be more than two people playing on the piano at once?  There are even pieces written for multiple pianos!  Rachmaninoff's Rhapsody on a Theme of Paganini was originally written for piano and orchestra.  This piece is a theme and variations - there is a main theme, then many variations based around that theme.  For this week's listening activity, we will focus only on the 18th variation.  This is one of my favourite melodies of all time - one of the most beautiful, tender melodies ever written, which grows into an overwhelmingly lush blanket of sound.   It warms you like a cup of hot chocolate on a chilly day and you just don't want it to end!  I've included the original version as well as an arrangement for 5 pianos.

S. Rachmaninoff, Rhapsody on a Theme of Paganini (18th Variation)

The 18th Variation (15:15 to 18:09), main theme played by strings (00:29 to 00:39)

Questions

  • Which version do you like more (5 pianos or piano and orchestra) and why?
  • Listen to the main theme (beginning at 29 seconds to 39 seconds, played by strings).   The 18th variation comes directly from this theme, although they contrast each other in many ways.  Can you figure out how the 18th variation comes from the main theme?  The notes of the main theme: A-- A A C B A E.  Play around with this, get creative, and share your ideas at the next lesson!

Oct. 1-Oc.t 7: Harry Potter

This week's listening activity combines last week's duet and interesting instrumentation theme together. Harry Potter is always the number one request I get for listening activities, even though it has been featured twice before in Magical Music and Journey Through Space and Magic! As requested, here is Harry Potter again - this time, with different instrumentation!

Questions

  • Did you prefer the piano duet version or percussion version of Hedwig's theme?  What made you like each one?

Sep. 24-Sep. 30: Chopin

"Everything must be made to sing." 
-Chopin to his pupils

Chopin was a polish composer of the romantic era who wrote almost exclusively for solo piano.  A man of great creative power and unique musical style, Chopin understood the limitations of the piano and composed in a way which overcame these limitations.  He was greatly inspired by the "bel canto" (beautiful singing) style of Italian Opera, and said to his students, "Everything must be made to sing".

Chopin composed a set of 24 preludes in all major and minor keys.  They are often performed as a cycle, offering contrast, tension, and release.  For this week, we will focus on Prelude no. 8.  I've included a recording of the piece played on piano and another with two performers on marimba!

F. Chopin, Prelude in F-sharp minor, Op. 28 no. 8

Prelude no. 8 begins at 9:01

Questions

  • Can you name the 3 sharps in the key signature?
  • How would you describe the mood or feeling of this piece?
  • What are some limitations of the piano?  How does Chopin overcome these limitations in this piece? (Hint: Think about what other instruments such as strings or woodwinds that a piano can not)  You can even listen to last week's waltzes to help you with this question!

Sep. 17-Sep. 23: Waltz Week!

These delightful waltzes are composed by Chopin.  Waltzes feature a specific time signature.  Try to figure it out as you listen.  Here is a hint: listen to the left hand!  Continuing last week's theme, I've listed the grade level along with each piece.  The music you hear is attainable, so long as you continue working hard towards your goals!

1) F. Chopin, "Minute" Waltz Op. 64 no. 1 (RCM Level 9)

 

2) F. Chopin, Waltz in A minor Op. posth. (RCM Level 6)

Questions

  • What is the time signature of a waltz?
  • These videos both show clear visuals of the pianist's hands.  What are some challenges a pianist must overcome in order to perform a waltz?

Sep. 10-Sep. 16: Looking Into The Future

Welcome back to weekly listening activities - listen to the following pieces and answer the questions below!

The beginning of the year is a great time to set goals.  I like to think of listening as looking into the future - the music we look up to and admire may be the notes we play in the near future.  Here are a few favourites walking through the RCM (Royal Conservatory of Music) levels.

1) C. Donkin, The Tired Turtle Express (Prep B)

 

2) M. Mrozinski, Turkish Bazaar (Level 2)

 

3) C. Norton, Scamp (Level 5)

Questions

  • Which one of these pieces would you most like to play?  Why did you like it?
  • Do you have any goals (piano or any other activity) for yourself this year?

Introduction

Much like watching a sports game to see how players move and carry out a play, learning by observation is just one more way to gain a better understanding of an art, craft, or anything for that matter.  Active listening is essential – undivided attention allows the listener to hear how phrasing, articulation, and other musical devices come together in unity.  

Weekly Listening Activities

  • Short selection of pieces to listen to during the week (not only Classical)
  • A few questions for reflection and brief discussion in the following lesson

A vast variety of musical gems remain undiscovered simply because they are not played on mainstream media.  Our most loved pieces often come by recommendation.  This has aided my knowledge and growth in music tremendously.  It has also fueled my passion for music and instilled a newfound inspiration in my practice many times.


    Suggestions to integrate Active Listening into a busy schedule:

    • Directly before lesson (while waiting) to settle down
    • In the car on the way to school, sports, etc.
    • During a meal or snack time
    • While doing chores
    • Before or after practicing at the piano
    • Before or after a bedtime story/activity
    • Before playtime on a tablet/phone - listen first, then carry on with free time