1) F. Liszt, La Campanella "The Little Bell" from Grandes études de Paganini

Another composer who brought the etude to the concert stage - Franz Liszt. A pianist of unparalleled virtuosity, Liszt's composition certainly reflects his incredible technique. There are even more notes than you can hear. Try to follow along with the notes - it can be a dizzying sight!

Questions

What is an etude?
What technical challenges do you think this etude focuses on? (Hint: take a look at the music notes)

2) Claude Debussy - Arabesque no. 1

A much more serene piece, but much like the previous one, there are many 'hidden' notes. This is the fact with most good piano playing - a melody that must stand out crystal clear though all the other notes. Advanced students might recognize the polyrhythm of triplets playing against eighth notes.

Questions

What images come to mind after listening to this piece?
For advanced students: Can you tap the 3 against 2? Try tapping triplets with one hand while tapping eighth notes with the other.